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And it seems that this powerful, expressive album is now serving as the bridge to a leap in a new direction for Carlos Santana, as well. It's a strong statement from a national treasure. There may not be any displays of two-handed tapping, wang-bar theatrics or scalar pyrotechnics on Blues For Salvador, but nevertheless, it gets my vote for Top Guitar Album Of The Year. And he unleashes with a vengeance on 'Trane, which is powered by old-time runnin' buddy drummer Tony Williams. He cranks out some vicious wah-wah licks, reminiscent of Jimi in all his glory, on the funky Deeper, Dig Deeper. He burns red-hot on the Latin percussion workout of Hannibal, which segues to a loose, bluesy swing feel at the tag. He stretches like in days of old on the live jamming vehicle, Now That You Know, recorded during his band's '85 World Tour. And the sheer conviction that Carlos displays on the title cut, a duologue with keyboardist Chester Thompson, is positively Herculean.Ĭarlos Santana peforms at San Quentin State Prison on Decem(Image credit: Deanne Fitzmaurice/San Francisco Chronicle/Getty Images) His adventurous guitar synth work on the mood piece Mingus is highly ambitious, if not monumental – or even characteristic. The lyrical ballad Bella is played with a soulful Wes Montgomery tone that allows the nuance of Carlos' expression to shine through beautifully.
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Bailando/Aquatic Park revives the memory of Soul Sacrifice. The man redeems himself for any past lapses. You drop the needle anywhere on Blues For Salvador and you get the real deal. That's like munching on Yodels and Ring-Dings after feasting on fine French cuisine. But I just couldn't deal with that limp radio-play pap with the sounds of Abraxas or Caravanserai still fresh in my ears and the sight of Santana burning up the Woodstock stage on Soul Sacrifice still imbedded in my memory banks. Sure, sure, it's good to go gold and bring home the bacon. No lame pop structures or hook-laden wimp fare like the highly saleable radio hit Winning from a few years back. Ah, welcome home, Carlos!Īnd he's not playing the hits, either. For guitar fans, it's a dream come true easily his most exciting, most scintillating, most inspired display of ax magic in over a decade. Eight of the album's nine cuts are instrumental, featuring Carlos' signature singing, stinging guitar lines.